Monday, March 08, 2010

LILAC ABATTOIR.

FOR THE WALLS:


STORY:
above is the poster for THE GOOD EXCHANGE. i've been working on this poster for the last few weeks and, now, it is ready for the world. the whole thing was really enjoyable from the BEGINNING to end. i definitely want to express my gratitude to the souls of hazel and lorenzo for asking me to be involved.

AS A SIDE NOTE:
for anyone who can be involved, i think this exchange is going to be a really terrific, memorable experience. come if you can; make if you can.

MORE:
HERE

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O TABLE:


STORY:
our publications are presented.

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MAKING FRIENDS:

(l to r: paul and erik)

STORY:
in our communication studio course, the distinguished(and friendly) ERIK SPIEKERMANN came by and spoke with us about our publications. i was extremely fortunate to have him take a moment to talk with me about my intentions, successes, and utter failures. he was a good sport to speak with everyone who asked, had a nice sense of humor, was on point, and was consistently inquisitive about all things. if you're reading this erik, thanks for coming in. it was a was a very memorable experience that no one will soon forget.

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WOOD AND NOISE:


STORY:
lindsey and i went to hear THE DIRTY PROJECTORS at the WALT DISNEY CONCERT HALL. i had only been here once before for something much less elaborate. this experience was perfect and not unwieldy as THE GETTY ADDRESS could have been. it was, without a doubt, one of the greatest concert experiences i have ever had.

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CHWAST:


STORY:
my kind communication studio teachers let me sneak away to check out the SEYMOUR CHWAST talk at ART CENTER. i've always loved the worked of PUSH PIN STUDIOS and seeing him caused the blood to rush to my head. after the lecture, i got to talk with seymour for a second – and ask him what he thought was the most shaping experience he had while in college. he replied that high school was really a much more valuable experience for him, but that he was glad to have met milton while in college. it seemed really fitting coming from a man who's illustrations speak more to life than to technical prowess, which is why i've always loved them.

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